“It is an old maxim of mine that when you
have excluded the impossible, whatever remains, however improbable, must be the
truth.”
--Sherlock Holmes, The
Adventure of the Beryl Coronet
Aren't you glad that you now know that this picture exists? |
I personally think that the situation that started this whole series of events is more interesting. Who was it that requested a loan in the first place? Why did they need £50,000 anyway? And if they needed it so badly, why didn't they wait until they received that big paycheck they were talking about? Who cares about the dumb, broken coronet, I want to know what member of royalty needed the money! What situation could occur for them to need the money? Gambling debts? Blackmail? Baby momma? I'm more interested in this situation than the boy who is so in love that he won't tell his father the truth. Yes, it's romantic but it's also boring a predictable.
What do you think, Austin? Am I making good points or are my crabby pants showing?
Austin: I think you have some strong points although I don't think
we necessarily need to know about the loan and the backstory. These stories
always give way too much set-up for these stories which I assume is Doyle
trying to muddy the waters of the mystery. Like dumping two boxes of two
different puzzles on a table so the audience and the detective has to figure
out what matches with this particular crime.
I liked this story because it had one of the best set-ups. Watson looks out the window and recognizes a madman heading their way. Then we have a complicated family situation and what seems like a no-brainer situation considering there was a witness.
I was a bit let down by the resolution because it is so complicated with who is where and who knows what. It will probably make sense if I saw it visually but after a point I just imagined most of the farcical hijinks from the movie Animal Crackers. I'm not entirely sure how Sherlock jumped to some of those conclusions and yet I was still impressed by some of it.
I'm fine with the family drama and their pride. A bit because of how this all comes together. This was all a private family affair and then it is exposed by a stranger. Families have their own norms and standards and when a private detective comes into their home, that's when their behaviors look strange. Especially when the actions are observed by a detective who refuses to be emotionally involved; this is the story with the famous quote that will undoubtedly be at the beginning of the post.
Should it be this way though? Would it be more entertaining if Sherlock was more bemused by the family's actions?
I liked this story because it had one of the best set-ups. Watson looks out the window and recognizes a madman heading their way. Then we have a complicated family situation and what seems like a no-brainer situation considering there was a witness.
I was a bit let down by the resolution because it is so complicated with who is where and who knows what. It will probably make sense if I saw it visually but after a point I just imagined most of the farcical hijinks from the movie Animal Crackers. I'm not entirely sure how Sherlock jumped to some of those conclusions and yet I was still impressed by some of it.
I'm fine with the family drama and their pride. A bit because of how this all comes together. This was all a private family affair and then it is exposed by a stranger. Families have their own norms and standards and when a private detective comes into their home, that's when their behaviors look strange. Especially when the actions are observed by a detective who refuses to be emotionally involved; this is the story with the famous quote that will undoubtedly be at the beginning of the post.
Should it be this way though? Would it be more entertaining if Sherlock was more bemused by the family's actions?
Leigh: I really like your bit about puzzle pieces. It's a perfect
analogy.
While reading
this one again, I kept thinking how this could be an episode of Downton Abbey.
Lord Grantham is put in charge of a fancy coronet and Tom is the one who is
found holding it when it was Thomas who was the one who did it in the first
place, or something like that. Sure the family's actions seem a bit odd but I
think it's more of a time period thing. We've already seen that it was
completely normal for a wife not know what her husband did for a living. I
think that this family dynamic is a bit more normal. If Sherlock focused more
on who was in love with whom, then I think we'd lose some of the
"scientific" aspects that Holmes lectures about so often.
A real "Whodunnit?" |
I will agree that
the set up seemed overly complicated for the end result. My argument was that
the broke noble was more interesting to me than the family trouble. Dysfunctional
families aren't new and there's a point when it just gets boring. Have I been
watching too much Roseanne/Malcom in the Middle/Raising Hope/Any sitcom ever
and become jaded by it or am I over thinking this?
Austin: With dysfunctional families or anything else we find
tiring, we always have to look at the copyright and remember this is pre-1900.
Then again all novels from pre-1900 is about moody dysfunctional families
and/or men trying to escape sirens who turn sailors into pigs.
Every trope can
be interesting if it has a different spin on it. Doesn't need to be a big plot
gimmick, but if you have rich characters the most standard of plots can be
riveting. Since Doyle stories aren't always about the richest of
characterization, his spin will always be the presence of a genius detective.
For now, that still works for me as he shakes up London society.
That said I
would definitely watch the Downton version of this if only to watch the
internet explode from a Downton/Sherlock cross-over.
This week we're
going to have a fun movie review. We're covering a silent short double feature
because we are just in it for the site hits. We're going to cover the super
super short Sherlock Holmes Baffled which is the first film adaptation of the
detective. It's 30 seconds long and you can watch it HERE.
Also we're going
to cover one of my favorite silent films, the Buster Keaton masterpiece
Sherlock Jr. which you can watch HERE. Get excited for those up on Friday or
Saturday.
And here is
Leigh Montano with the last word.
Leigh: What’saBeryl?