"[Moriarty] is the Napoleon of crime, Watson. He is the organizer of half that is evil and of nearly all that is undetected in this great city. He is a genius, a philosopher, an abstract thinker. He has a brain of the first order. He sits motionless, like a spider in the center of its web, but that web has a thousand radiations, and he knows well every quiver of each of them."
Sherlock Holmes, "The Final Problem"
Yet TV critics I respect
kept saying good things about the show. For most of the season, they kept
saying it was a good procedural. (I disagree.) Then everyone really started
speaking up about the finale. I was already curious because they cast the great
Natalie Dormer (The Tudors, Game of Thrones, BBC Radio's adaptation of Neverwhere)
as Irene Adler. Then I saw a major spoiler about the finale and they officially
perked my interest. So we're back. For now.
Someone really needs to work on her choice of men |
After watching all four
episodes, I realized how much there is to cover. It's just too much. So we're
going to split this into two blog posts. This first one will deal with the
episodes as mysteries and how they were composed as episodes of television. The
next one will discuss how the show is dealing with the Doyle mythology, the
treatment of women on the show and the development of the characters. Aka, plot
and then characters.
So after a three paragraph
introduction, let's get into it. These are easily a step-up from what we've
already covered. "A Landmark Story" is the best episode I've seen so
far on the show. The show is best when it's able to incorporate the mythology
on the show. Too often their mysteries feel fleeting and dull, but when they
can be part of the bigger game then there is excitement. They're not always
perfect because even though "Risk Management" seemed to be a good
balance (Moriarity directly asks Sherlock to solve a crime) the case wasn't as
well executed. "A Landmark Story" was a balance of Moran's
powerful screen presence, really solid puzzle-like deaths and a great ticking
clock that someone else will soon be assassinated. I'm even willing to give
them a pass for straight-up using a major plot point from Homeland Season
Two.
Yet mythology is also a bit
of the show's downfall. Plot is such a problem on this show. At this point,
they have nailed the character of Sherlock Holmes thanks to an original take
and a wonderful performance from Jonny Lee Miller. The show knows how to test
him as a character and setting up an environment that pays off all of his
backstory and gives a legitimate temptation to have him relapse. Nobody really
thought Irene Adler was dead, but (now here's the big spoiler) having Irene
Adler be Moriarity....now that's impressive. That's all well-done but when we
finally got to Moriarity's big season-long plan, it's really underwhelming.
Moriarity's arrest was way too easy.
Before I go on any longer,
what are your thoughts on all of this? Did you like the Irene Adler twist? Were
you nicer towards her master plan? Were these episodes a step-up for you or
more of the same?
Leigh: I have to say that I actually enjoyed the last four
episodes of the season. THAT'S RIGHT, KIDDOS, I actually liked it. Were they great?
Meh. Were they fantastic? Eh. Were they fun? Yes. But why were they fun? That's
the question.
I loved Vinnie Jones as
Sebastian Moran. For those of you who don't know, like Austin, Vinnie Jones was
a football player (soccer) before he became an actor. Vinnie Jones was known
for being a "hard man" in football and holds the record for the quickest foul
in a game ever at 3 seconds. He has also been known to start bar fights for
being asked, "Hey, aren't you Vinnie Jones?" And he has one of the best scenes ever in Snatch.
So his portrayal of the character I thought, was perfect. Having him be
essentially a football hooligan that kills people for hire was fantastic.
(Although I do wish they would've made him a Chelsea fan instead of an Arsenal
fan since he played for Chelsea, but what ever.) His character death is also
perfect. Head butting yourself to death? You can't get much harder than
that.
But the mysteries in these
episodes? Bland. Boring. Better than what we've seen in this show but meh.
Also, I'm sure this is the fault of the production crew, but two separate bad
guys drove a Maybach 62, which is fine except that only 63 were sold in the US
in 2010 and they've stopped production because of how few were sold so if
Holmes would've noticed this, he could've connected the bad guys again because
I'm sure that there aren't THAT many Maybach 62s in NYC. One of these bad guys
was the guy who was snipered in the hotel room. How did Holmes find him?
Because Holmes mentions that he found his alias and then found the hotel and
tada! But...how did Holmes find him. More often than not I felt that we were
missing steps to the mystery and they just glossed over these holes. But this
is something that this series has shown us before.
And what was
Adler/Moriarty's master plan? Was it just investing all of that money in the
Macedonian dinar and have the accession to the EU fail? Because if that's the
case, it's all sorts of wrong. I don't know much about the EU but luckily, I do
have a friend who specialized in the EU for his undergrad. He is who I go to
when I have EU questions. I was first suspicious of this plot point when they
brought up the fact that they'd have to go to the Euro. England isn't on the
Euro so therefore, I was already questioning this theory (I didn't know they had
a permanent opt-out for the Euro but was taught this last night). My EU
specialist friend told me that even if Macedonia would be granted accession
(which is highly unlikely even before their fictional dignitaries are killed by
Greek nationalists) their currency would stay the dinar for a while until their
economy met EU standards. Only once they meet these goals for their economy
would they then go to the Euro. So her whole master plan wouldn't even work in
real life. I know that this show is fictional but if you're going to have the
plot based off of real life things like the EU and Macedonia possibly gaining
EU status, then make sure the rest of it works. It doesn't.
So why did I find it fun?
Because I enjoy finding plot holes. I enjoy looking at details and proving the
show wrong when it's claiming to be right. Now, don't think I'm picking on
Elementary, 'cause I'm not. I do it with every show or movie. Friends and
family have told me that they hate watching things with me. I've been told by
my boyfriend that I need to relearn how to watch movies so I can
"enjoy" them. I just found that Elementary had more of these
instances than most shows I watch.
And as for Irene Adler being
Moriarty, I'll get to that later.
You're the mystery guy. What
did you think?
Austin: When looking at the mysteries I further realized
the thing that could help this show in such a powerful way. Get rid of the
police. All of them. Quinn's performance is so bad now I think he dozed off for
most of the finale.
When Sherlock is able to go
beyond the rules of police procedural it's more interesting. We missed an
episode where he tortured Moran which looked pretty cool. Whenever he has to
report back or Gregson is operating a crime scene, the show stops dead. They
now are the worst kind of Doctor Who companion - the kind that just asks
questions to advance the plot. "What do you mean, Doctor?" Watson
fell into that trap a bit in the finale, but it was never near as bad as Bell.
Is he just there when Quinn doesn't feel like coming to set?
"Sorry I'm late, just woke up from a nap. What'd I miss?" |
Morarity's plan was
incredibly underwhelming. It was convoluted and wasn't worth the miniature
clues sprinkled for a few episodes. They needed a big "Oh shit..."
moment like when you realize why Tyrian is collecting iron in A Clash of Kings
or the mystery of Clara in Doctor Who.
The "Oh Shit..."
moment they successfully pulled off was the Irene Adler twist. Learning the
full timeline of their twisted relationship made the premise work. When they
made Sherlock a recovering addict, we sighed heavily. Yet when we find out that
he was pushed to heroin by a criminal mastermind to distract him so she can
accomplish more crimes...bravo. Same with faking her death and his move to
America. That all works in fun TV logic with this twist.
I was happy I knew the twist
before hand because Natalie Dormer as Morarity was a much better performance
than Irene. She's better at playing a woman with power.
The episode that had the
most traditional setup was the second one and that's the episode I had the most
problems with. It started off rather bland but then I did start to enjoy
the puzzle aspect of "How do you convince a man he murdered the wrong
person?" Resolution wasn't great but what really didn't work was how much
the two new characters SUCKED.
This is the show's problem
with characterization when it comes to people not named Sherlock. A guy
confesses to murder, something that is filled with emotional trauma for years.
There is nothing in his performance that shows complexity and his dialog is
just stilted information. Same with his wife! Just bland bland exposition. Why
should we care about them? There was no emotional attachment to them or their situation
therefore I couldn't care. The only thing I was interested in that episode was
the evolution of Watson's role which we will get to later.
Also that episode sucked in
the last five minutes. You have this great scene on the page of Watson joining the
danger of the trap and them entering a mysterious mansion to find Irene is
still alive painting beautiful works of art. How is it filmed? Without an
element of style. Everything is so brightly lit and filmed without any fear or
mystery. Perfect how-to not film a scene.
But no more hiding. Plot
wise, what did you think of the big twist?
Leigh: I think that this show would benefit greatly from
going from 24 episodes to 6. It would make the story lines tighter, it would
force the writers to cut the extraneous crap and I think the story that
they're trying to tell would stand out more. More shorter shows are becoming
popular like Game of Thrones or Mad Men or Doctor Who because they prove that
you can still tell a great arc in 10 or so episodes. I haven't seen an episode
since episode 5 or 6 and yet, I wasn't lost at all. The only thing that I was a
bit confused on was the Sebastian Moran part and the "Previously on
Elementary" solved that for me. So that proves right there that you can
cut 15 episodes from the season and it still work and still tell a complete
story.
I still stand by the fact
that they could get rid of Watson. Sure, she had a couple of "Sherlock,
you missed this obvious clue" moments, which was nice, but the final two
episodes she went back to being a caretaker. She didn't seem to care much about
the mysteries at hand but more about whether or not Holmes was going to go get
some drugs and sure, seeing an ex that you thought was murdered could very well
be a trigger, the audience doesn't need to be reminded every time Watson and
Holmes are in a room together.
Now for Irene.
I like Natalie Dormer. Her
character on Game of Thrones has made it possible for me to pay attention to
Joffrey at all. (Haven't read the books, no spoilers please!)
Don't you just want to punch him in his stupid face? |
She was great in
the Tudors even if the rest of the show was a joke. But like you said, the
"Oh shit" moment wasn't there. Every supervillian has to have a
reason for doing all these smaller murders. We need to know that they robbed a
bank to buy the other supervillians in the city's loyalty. We need to see that
they stole a shrink ray so that they could steal the moon to ransom it. We need
to see that they stole the Wonderflonium so that they could build a freeze ray
cum death ray. We just saw a supervillian killing people in convoluted ways to
get some money. That's boring. Especially since there are so many other ways to
get money these days that don't involve killing lots of people. So Moriarty?
While the character didn't lack imagination, she lacked logic which is bad when
she's supposed to be the most logical person in the world next to Sherlock
Holmes.
We talked about the
possibility of Moriarty being a woman. I think it was during one of our text
conversations off blog. You brought up the idea and I absolutely loved it and
wanted it to happen. And it did. And I was disappointed but not that Moriarty
was a woman. I was disappointed with the awful plot.
Now Irene as Moriarty.
That's interesting. I was spoiled accidentally. I was looking at Wikipedia because
I was curious to see what they had written up about Sebastian Moran/Vinnie
Jones and right underneath his character is Irene Adler/Moriarty. I was
intrigued. I wasn't upset and I was excited to see how it was revealed and how
they went about explaining it. And I think they did a pretty good job. Holmes
should've noticed that Irene's accent was a nondescript American accent with a
hint of a Transatlantic accent, which gives away Brits posing as Americans
almost instantly. They also tend to over-pronounce their "r"s but
that's beside the point. The rest of this backstory was interesting but some of
the plot holes still bothered me. Like, did Holmes see Irene's dead body or did
he just presume she was dead? If she was murdered and Holmes was in love with
her, I think that he would've gone to the ends of the earth to try to solve the
mystery behind it, not instantly go to drugs.
This show has it's moments
when it seems to steal directly from other crime procedurals and other times
when it seems like it's trying really hard to be it's own thing. I firmly
believe if they cut any time when it just became another procedural and stuck
with the interesting and original stuff that they could have a good show, if
not a great show. Not fantastic and probably not in my top 10, but a show that
I would spend a weekend watching if I had nothing else to do.
And now Austin Lugar with
the final word!
Austin: Ta-da?
Whut? |
I won't disagree about the plots, although I give "Elementary" more slack than you all do. I can't wait for Leigh to dissect "Sherlock". That is a show that operates on emotion, not logic.
ReplyDelete"You have this great scene on the page of Watson joining the danger of the trap and them entering a mysterious mansion to find Irene is still alive painting beautiful works of art. How is it filmed? Without an element of style. Everything is so brightly lit and filmed without any fear or mystery. Perfect how-to not film a scene." Yes, perfect, a painter painting in shadowy darkness. Complaints about how the plots are not realistic and you want an artist painting landscape in noir lighting.
"More shorter shows " Perhaps 92 fifteen minute shows?
"They needed a big "Oh shit..." moment like...the mystery of Clara in Doctor Who." Oh shit like, "Oh, shit, Moffat created a female character who only reason for existence is to save a male character--again!?" A billion dollar crime, murder, and the manipulation of European politic is ho-hum? Yes, yes, I know you say it doesn't work in real life, but it's not a small crime.