"Now it was clear to me that
our lady of to-day had nothing in the house more precious to her than what we
are in quest of. She would rush to secure it. The alarm of fire was admirably
done. The smoke and shouting were enough to shake nerves of steel. She responded
beautifully. The photograph is in a recess behind a sliding panel just above
the right bell-pull. She was there in an instant, and I caught a glimpse of it
as she half drew it out."
--Sherlock
Holmes, "A Scandal in Bohemia"
Austin: Last
year I watched the entirety of Doctor Who. I had seen the new series, but I
watched the Classic Series for the first time in research for a few speeches I
was doing. One of my favorite parts of that very long experiment was to watch
an episode with a new Doctor. The Doctor is essentially the same character each
time, but every actor who played the dual-hearted time traveler focused a
different aspect of the character's personality. It was a treat to see the
differences.
That's what I felt right away
with Dressed to Kill. In this blog we've read Doyle's Sherlock
Holmes and we've seen Jonny Lee Miller's Sherlock Holmes. Doyle's character is
a very intelligent man who can lose focus as he always looks towards the
adventure. Miller's Sherlock is a struggling drug addict in recovery and the
cases seem to be his distraction from what's really bothering him. I'll ignore
the other Sherlocks I've seen off-blog for now because we have Basil Rathbone's
Sherlock Holmes.
If you talk to any Sherlockian,
this is the name that often rises to the top as the "best" Sherlock
Holmes. It's very clear to see why. He's professional, intelligent and
respectable. He never seems to brag or cause conflict with the rest of Scotland
Yard. He is there to save the day and you know what, old chap, he'll do it. It
is safe to say that it is not a coincidence that The Great Mouse
Detective is named "Basil."
This was a fun movie to watch
because it wasn't an adaptation of "A Scandal in Bohemia", but an
entertaining parallel. In fact, in the movie Watson recently published
"Bohemia" in the Strand magazine. (That gives me absolutely no excuse
to be foiled by a trap he literally just wrote about, but we can get to that
later.) We talked in our "Bohemia" review about seeing Sherlock learn
from underestimating Irene Adler and we see that in full effect with this case
about three music boxes and the code they hide.
What did you think of Mr. Rathbone
and his take on the character? Does he deserve the ranking as the best? Or were
you too distracted by the bumbling Dr. Watson?
Leigh: I would
like to go back to a simpler time. A time when there was no internet. A time
when everyone you knew lived within walking distance. A time where woman could
wear awesome hats and not be laughed at.
Now that we’ve agreed that her
hats are awesome, we can talk about the matter at hand.
As our first
post stated, I am a huge Cumberbatch fan. He embodies everything I
think Holmes should be. He’s smart, he’s acerbic, he’s quick and he’s a
fantastic actor. With that being said, I love Basil Rathbone. My mom wasn’t
lying when she said he was a great Holmes. Maybe not my personal favorite, but
he did a wonderful job. I will gladly watch more of his Holmes movies.
I really enjoyed this movie. It
set up a mystery well, didn’t rush the story (except maybe at the end) and we
got a full mystery and not a half developed one. The audience was presented
with the same clues that Holmes was and yet Holmes figured it out before we
could, or at least before I could. We weren’t introduced to Holmes and Watson
until 8 minutes in. We got a lovely exposition of what was happening and why we
had to meet these characters. Holmes, I’m glad we met. Watson...not so much.
All through out this movie I kept
thinking back to Kate
Beaton’s comic about Watson being a jam loving dolt. That’s really
what he was. He was foiled by a scheme that he wrote about not that long ago.
That was really the frustrating point for me. Watson should be a partner, not a
bumbling idiot who is distracted by a pretty face. One of my notes about 10
minutes is was “Watson the dolt… L” I’m guessing that this portrayal of
Watson is why Watson was thought to be an idiot in popular media for so long.
That makes me sad, hence the sad smiley.
I thought some parts were cheesy
and some were just not really Holmes-like but overall, I really enjoyed this
adaptation. How could Watson be fooled by basically his own trick? Why did they
make him such a moron? I need more words for “idiot” because I’m over using
“bumbling idiot” but that’s really what he is here. Why didn’t they make him an
equal? WHY DID THEY RUIN WATSON, AUSTIN, HUH?! WHY DID THEY DO THAT?
Austin: I
think we can all agree that Elementary would be a much better show if it was
bolder with its hats. That's something they could solve now. More hats and then
we can get back to the writing.
Speaking of that show that
inspired our blog, we have to play fair. Nigel Bruce's Watson is as much of a
problem as Lucy Liu's. I will say I like his Watson more. (Not only because
it's like Dr. Dawson from a certain Disney film I bring up almost every post.)
He is an idiot. A complete buffoon who is clearly there for the comic relief
about those who want to see these movies but wished they didn't have so many
mysteries. That said, I there are some positive sides to his performance.
I can see why Sherlock is friends
with Watson. There is a lot of warmth between them. Sherlock always has a
higher IQ than anyone in the room and he is self-reliant on challenging himself
mentally. He doesn't always need the smartest companion. (Just like The Doctor
and Jamie!) This Sherlock needs someone to make him smile. It's a friendlier
side to Sherlock that doesn't go against his character.
In fact, I like the Sherlock
Holmes that doesn't need to brag. David Tennant had that problem by being too
gloating with his accomplishments. (I can't stop. This may just merge into a
Doctor Who blog. And for that...I'm not sorry.) When Sherlock Holmes does
something incredibly clever like use ears as an identifier or recognize the
notes could be a code--when it's a tune we all were listening to during the
movie--that's something that doesn't need additional patting on the back. So
Sherlock could have easily solved this case on his own. Yet he gives credit to
this bumbling Watson a couple of times as a sign of friendship. Watson may not
understand his value with Sherlock, but Sherlock does. Thus, he gives Watson
accolades towards the case as his way of appreciating his essence of
not-Sherlock.
But now we have a different case
in front of us. Although he used that major plot point from
"Bohemia", this was no where near that story in terms of the mystery.
What did you think of the tale? Also what did you think of the women of this
tale and how Holmes related to them?
Leigh: First I
would like to say that I'm writing this on my phone during the downtimes at
work. If anything is spelled wrong then blame my phone. It doesn't have spell
check and autocorrect is Tribble. Blame my phone, not me even though I'm typing
it.
More hats as long as they aren't
deer stalkers, or if they are deerstalkers, make them ironic.
The story seemed a bit farfetched,
moreso than normal Holmes stories, but I still thought it was an acceptable
mystery. I absolutely loved the woman, what ever her ridiculous name that
matched her ridiculous hats was, in this mystery. Not only did she leave a trap
for Holmes that he completely fell for but she also orchestrated a good portion
of the plot. She seemed like the one in charge and not the one who was
following orders. She even got upset when her one henchman killed the guy when
he wasn't supposed to. She was in control of the situation for a good portion
of the movie. To me she seemed more of a femme fatale than Irene Adler, but
I've only ever seen two film noirs so I could be completely wrong here.
I think that as a parallel story
to Scandal, this movie worked well. It had obvious inspirations from actual
Holmes stories but it also had it's own twist. The music boxes are similar to
another Holmes story that we'll get to eventually so it was really a nice
homage to Holmes in more than just using the characters of Watson and Holmes
And while I love Basil Rathbone, I
think the Watson (what ever his name is) tried a bit too hard. The scene I'm
thinking of in particular was the one when they found the little girl tied up.
Holmes was caring and warm and understanding, which isn't normal for Holmes,
and Watson seemed to make a mess of it when trying to comfort the poor girl. He
really seemed to be there for comic relief and to give the major clue to Holmes
but didn't have much other reason for being there.
As an homage, I think this movie
did a great job. It didn't try to be too specific with certain aspects but it
still got the core character of Holmes and tried to make it so that more
audiences, not just ones that like mysteries, would like it. On our next
adventure, we deal with gingers, a bank robbery and the ideal job in the
Victorian era.
And now Austin with the final
word:
Austin: Fatso?
First: Femme Fetale? Not by a long shot. I should know, I took a class on those hussies. She's just a broad in control who won't let some man put her down. She's got presence and won't stand for being in the background; just look at her hat to prove it!
ReplyDeleteSecond: I think with this Watson they got simple and bumpkin mixed up. Bumpkin is rollicking and jolly and ignorant about his surroundings and what's going on; this Watson I feel was played more as a jolly old bulldoggish bumpkin. Simple, how I feel Watson is meant to be, is meat and potatos; straightforward clothes; steady thought processes; three square meals a day; kind and warm to all, believing the best in man, but able to put up a damn good fight in a pinch. That's simple, and that's not how they did Watson in this film. He's played exactly as a British stereotype, including the old army/school/house buddy with the amusing moniker ("Stinky"? Really? Fatso? Seriously? Come on...) I don't like how they did it, but I can understand, for the time and trends in cinema, why they did it. They tried to play Sherlock and Watson as a kind of comedy duo almost. Sherlock played the straight man to Watson's buffoon. Tragic almost.
Third: Rathbone's Sherlock is the most approachable I've seen yet. He's warm at times, but knows his strengths and weaknesses: the scene with the child crying, he acts quickly to free her, but knows he's not going to be good at making her smile again (and neither of you commented on the ludicrousness of the duck noises?).
Fourth: I was very happy that the solution of the murder was literally at the end of the movie, and there were no extra bits tacked on the end compulsively by the filmmakers. No trial scenes, no prison shots, just simple and pat. It's done, the mystery is solved, let Madam Justice take over here for her due. Sherlock knows he's done his part and tags out at just the right time. Priceless.
Finally: Not the most Holmsian of mysteries presented, I think. There were twists and turns, but as an audience member I wasn't left in the dark as to the true motive behind the baddies. I like trying to figure that part out, too, not just whodunit and how.
Retorts?